Published on September th, 2010

Screen Media by Jane Stadler with Kelly McWilliam.

Film Art: An Introduction by David Bordwell and Kristin Thompson.

Story: Substance, Structure, Style and The Principles of Screenwriting by Robert McKee.

Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting by William Goldman.

Puzzle Films: Complex Storytelling in Contemporary Cinema Edited by Warren Buckland.

Narration in the Fiction Film by David Bordwell.

Traditions in World Cinema by Steven Jay Schneider, Linda Badley, R. Barton Palmer.

What is Cinema? By Andre Bazin.

More than a method: trends and traditions in contemporary film performance. Edited by Cynthia Baron, Diane Carson and Frank P. Tomasulo.

Performing illusions: cinema, special effects and the virtual actor by Dan North.

Spectacular bodies: gender, genre, and the action cinema by Yvonne Tasker.

Studying contemporary American film: a guide to movie analysis by Thomas Elsaesser and Warren Buckland.

World Cinema: Critical Approaches Edited by John Hill, Pamela Church Gibson, Richard Dyer, E. Ann Kaplan, Paul Willemen.

A Theory of Adaptation by Linda Hutcheon.

Representing Reality: Issues and Concepts in Documentary by Bill Nichols.

Society of the Spectacle by Guy Debord.

Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock ‘N’ Roll Generation Saved Hollywood, Down and Dirty Pictures: Miramax, Sundance and the Rise of Independent Film and Gods and Monsters: Movers, Shakers, and Other Casualties of the Hollywood Machine by Peter Biskind.

Australian National Cinema by Tom O’Regan.

Introduction to Film Studies Edited by Jill Nelmes.

Genre and Hollywood by Steve Neale.

The address of the eye: a phenomenology of film experience by Vivian Sobchack.

Hollywood flatlands: animation, critical theory and the avant-garde by Esther Leslie.