Why G.I. Joe: Retaliation Might Be the Most Expensive Political Satire of All Time
Costume Design in Stoker: Control Yourself
Disney Turns Away from Hand-Drawn Animation
Forget Fact or Fiction: A Review of Zero Dark Thirty
Theatres raise revenue and tensions by charging to show trailers
How Michael Haneke and David O. Russell Told Love Stories
Beasts of the Southern Wild Shares Something with Lincoln
Hollywood’s Year of Heroine Worship
‘Les Miz’ Isn’t the Only Film to Catch its Singers Actually Singing
Terence Davies’ Land of the Dead
The Drawbacks of Being a Wallflower
The Problem with Manic Pixie Dream Girls
Should Some Movies be Taken More Seriously Than Others?
Wes is Having Trouble With the Reception
How Digital is Changing the Nature of Movies
The Trouble with ‘Abraham Lincoln: Vampire Hunter’
Why Rotten Tomatoes is Bad for Film Criticism
Why The Avengers is the Best TV Show in Movie Theatres
The Avengers: Why Hollywood is no Longer Afraid to Tackle 9/11
Review the Movie, Not the Trailer
The Immorality of The Hunger Games
Joss Whedon’s Character Archetypes: The Avengers and Buffy the Vampire Slayer
Movie Studios Are Forcing Hollywood to Abandon 35mm Film
Ashley Judd Slaps Media in the Face for Speculation over her Puffy Appearance
Digital Dilemmas: You Want Pixels with That?
Hollywood Ate My Novel: Novelists reveal what it’s like to have their book turned into a movie
How All Nine Best Picture Nominees Reassure Us About The Scary Future
Defending Katherine Heigl … at the Expense of Jennifer Aniston
Brutally Honest 2012 Oscar Nominee Posters
Tinker Tailor: A Guide for the Perplexed
War Horse: An Illustrated Review
Old-Fashioned Glories in a Netflix Age
Best Films of 2011: The A.V. Club
Hollywood’s Own Hollywood Endings
Film is Dead? What Else Is New?
Thirteen Movie Poster Trends That Are Here to Stay and What They Say About Their Movies
Why Our Brains Love Horror Movies
A Pat on the Back for Red Dog, But What About the Rest of the Kennel?
Cliff Martinez Scores a Strange Success with ‘Drive’
Conflicting Voices in Lars von Trier’s Words and Works
The 25 Oldest Looking Teenagers in Movie History
Chaos Cinema: The Decline and Fall of Action Cinema
Apes and Allegories: What is the Meaning of This?!
In Praise of the Modern Movie Soundtrack
Patrick Bateman’s New York: What Happened to the World of American Psycho
Babies to Heroes: A Field Guide to Big-Screen Men
Catch That Reference?: There’ll Be a Quiz
Misinterpreting the Tomatometer
The Funnywoman, Alive and Well
The Art of the Title Sequence: Blue Valentine
Lights, Camera, Action: Sex in Cinema
Women as Violent Characters in Movies
Beyond praise 4: Even more DVD supplements that really tell you something
Arthouse suspense: My month with Abbas and Joe
What movies get wrong about childbirth
Lights, Camera, Action: Sex in Cinema
Autism on film: can cinema get it right?
Pleased to meet you. What’s the greatest movie ever made?
Stream a little stream with me
Movies Vs. Television: The Tide Shifts Back
Let’s get social: Networking frames
Midwinter Ritual: When Good Actor Meets Bad Movie
Hollywood’s Whiteout Year: Few Blacks on Silver Screen
Natalie Portman: A movie star for a generation of overprogrammed children
Broadcast News foresaw a crisis in journalism – and in rom-coms
Paul Haggis vs. the Church of Scientology
Still a Home for Directors, and Big Foot
The Social Network: Faces behind Facebook
A Golden Age of Foreign Films, Mostly Unseen
Turns Out Sundance Thrives on More Than Just Money
A Funny Thing Happened on the Way to the Oscars … but the major studios aren’t laughing
Locating the difference between a good movie and a not-so-good one
The Revolution Is Being Shot on Digital Video
From Harry Potter to Narnia: the pressure on film franchises to perform
Why projectionists will soon be no more
This film is questionably rated: 15 egregious MPAA screw-ups
Hitchcock Would’ve Had a Web Site
Is “Burlesque” the new “Showgirls”
Nothing is real(ism), and nothing to get hung about
Feast: A Thanksgiving tribute to images of food on film
Celebrating cinema’s greatest long takes
In Line at the Movies, Hoping for Good Enough
Investment in film is about the market – but what about the talent?
The case for total failure: Why flops are good for the movies
How Hollywood killed the movie stunt
Lights! Camera! Deconstruction! 19 movies that double as movie criticism
’60s Hollywood: Power Shifted (or Did It?)
2010: The Year of the Misunderstood Movie
The Evolution of the Hollywood Gay Joke in Three Easy Stages
Orchestras on Big Screens: Chase Scene Needed?
The Unfilmables: A List of the Hardest Novels to Film
Making of the West: Mythmakers and truth-tellers
Whatever happened to the girl next door?
To the MPAA ratings board, ‘The King’s Speech’ is just as bad as ‘Saw 3D’
Girls on Film: Hollywood’s Dismissal of Violence Against Women
New Zealand is still Middle-earth: A summary of the Hobbit crisis
When Biography Becomes Legend, Print the Legend: Carlos and The Social Network
The bromance, the betrayal, The Social Network
Film Pushes Malaysian Censorship Boundaries, but Not Too Far
The new wave of film festivals
Classic movie night at the Playboy mansion
Is Broadway crazy to take on Almodovar?
Van Damme and the Action Stars
The Mad Men of social networking
The curse of Barbie is alive and well in children’s cinema
Beyond Bullets and Berets, Life in Wartime
Lies, paranoia and jealousy on the internet’s social networks inspire Hollywood
What’s wrong with Hitchcock’s women
Will This Clint Eastwood Movie Be Any Good?: Vulture Does the Math
The Slippery Slope of the MPAA’s New Ratings Policy
Joe Queenan’s guide to sci-fi cliches
Longing for the Lines That Had Us at Hello
James Cameron on ‘Avatar,’ ‘Titanic,’ and the Future of 3-D
More people are watching movies online, but few are buying them
The Top 10 Rock-Musician Film Scores
Documentaries Get Even Harder to Define
The scarier side of Helen Mirren
Studio Math 101: $40 million is new budget ceiling for Hollywood dramas
